One Place After Another

Site-specific Art and Locational Identity

Author: Miwon Kwon

Publisher: MIT Press

ISBN: 9780262612029

Category: Architecture

Page: 218

View: 9399

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A critical history of site-specific art since the late 1960s.

Richard Serra: Tilted Arc, 1981-89 New York. Die Monumentalität und das Monument

Author: Paul Breuer

Publisher: GRIN Verlag

ISBN: 3668570779

Category: Art

Page: 35

View: 4286

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Studienarbeit aus dem Jahr 2017 im Fachbereich Kunst - Bildhauerei, Skulptur, Plastik, , Sprache: Deutsch, Abstract: Der wortwörtlich „gekippte Bogen“ impliziert die thematische Form eines gekrümmten Kurvenstücks, dessen materielle Ausformulierung dem Namen nach vermutlich schief und schräg im Raum zu verorten sein wird, wodurch gleichzeitig auf eine gewisse Instabilität der gewölbten Überspannung einer Raumöffnung hingewiesen wird. Der Titel des Werkes Tilted Arc ist somit ein textueller Verweis auf die Form des Objektes. Der materialisierte Zeichenträger ist wiederum eine freistehende Plastik aus korrodiertem Stahl und in einen platzeinnehmenden städtebaulichen Kontext eingelassen. Hervorzuheben ist, dass das haptische Element der rauen und durch Rost zersetzten Eisenoberfläche in Beziehung zum optischen Moment der Monumentalität gesetzt wird. Die Visualisierung des Werktitels ist sogar dermaßen raumgreifend, dass der Raum, der zur Rezeption des Gegenstandes nötig ist, durch das umliegende architektonische Gefüge nicht nur determiniert wird, sondern über diesen in einer raumzeitlichen Konzeption der Betrachtung hinaus reicht. Die Wahrnehmung des Objektes zusammen mit dem Objektraum entsteht in diesem Fall nicht nur durch die kontinuierliche Bewegung des Betrachters in und um den Raum herum, sondern durch dynamisch anmutende Verzahnungen einzelner Objekt- und Architektursegmente, die auf einen Wechsel der perspektivischen Ansichten der jeweiligen wahrnehmbaren Raumeinheiten angelegt sind.

Christian Philipp Müller

Author: Christian Philipp Müller,Sabeth Buchmann,Philipp Kaiser,Kerstin Stakemeier,Jacqueline Uhlmann

Publisher: Hatje Cantz Pub

ISBN: N.A

Category: Art

Page: 223

View: 879

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Christian Philipp Müller ISBN 3-7757-1800-1 / 978-3-7757-1800-4 Hardcover, 8 x 10 in. / 200 pgs / 150 color. / U.S. $50.00 CDN $60.00 January / Art

The Practice of Public Art

Author: Cameron Cartiere,Shelly Willis

Publisher: Routledge

ISBN: 113589468X

Category: Art

Page: 286

View: 8142

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This exciting new collection of essays by practicing artists, curators, activists, art writers, administrators, city planners, and educators offers divergent perspectives on the numerous facets of the public art process. The volume also includes a useful graphic timeline of public art history.

Precarious Visualities

New Perspectives on Identification in Contemporary Art and Visual Culture

Author: Olivier Asselin,Johanne Lamoureux,Christine Ross

Publisher: McGill-Queen's Press - MQUP

ISBN: 0773574395

Category: Art

Page: 449

View: 2000

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Through the study of exemplary media works and practices - photography, film, video, performance, installations, web cams - scholars from various disciplines call attention to the unsettling of identification and the disablement of vision in contemporary aesthetics. To look at an image that prevents the stabilization of identification, identity and place; to perceive a representation that oscillates between visibility and invisibility; to relate to an image which entails a rebalancing of sight through the valorization of other senses; to be exposed, through surveillance devices, to the gaze of new figures of authority - the aesthetic experiences examined here concern a spectator whose perception lacks in certainty, identification, and opticality what it gains in fallibility, complexity, and interrelatedness. Precarious Visualities provides a new understanding of spectatorship as a relation that is at once corporeal and imaginary, and persistently prolific in its cultural, social, and political effects. Contributors include Raymond Bellour ( cole des hautes tudes en sciences sociales), Monika Kin Gagnon (Concordia University), Beate Ochsner (University of Mannheim -Universit t Mannheim), Claudette Lauzon (McGill University), David Tomas (Universit du Qu bec Montr al), Slavoj Zizek (Ljubljiana University and University of London), Marie Fraser (Universit du Qu bec Montr al), Alice Ming Wai Jim (Concordia University), Julie Lavigne (Universit du Qu bec Montr al), Amelia Jones (University of Manchester), Eric Michaud ( cole des hautes tudes en sciences sociales), H l ne Samson (McCord Museum), and Thierry Bardini (Universit de Montr al).

Geographical Imagination and the Authority of Images

Hettner-Lecture with Denis Cosgrove

Author: Denis E. Cosgrove

Publisher: Franz Steiner Verlag

ISBN: 9783515088923

Category: History

Page: 102

View: 8181

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Geographical imagination and the authority of images collects three papers and an interview on the themes presented and discussed during the 2005 Hettner lectures. Cosgrove examines the roles that vision and imagination have played in shaping material and represented landscapes at scales ranging from the local and regional to the global and cosmic. The book presents substantive studies of cosmographic and global mapping, the picturesque tradition and suburban Los Angeles, and the use of aeTranspennine' England as a geographical art gallery. Embedded in these are theoretical and ethical reflections on the ways that we come to know the world, ourselves and each other through geographical engagements, especially when these are mediated through graphic images. The interview locates these themes within the context of Denis Cosgrove's development as a geographer and his response to debates within the discipline about the roles of imagination, culture and representation within geographies's humanities tradition. Contents Peter Meusburger / Hans Gebhardt: Introduction: Hettner-Lecture 2005 in Heidelberg Denis Cosgrove: Apollo's eye: a cultural geography of the globe Denis Cosgrove: Landscape, culture and modernity Denis Cosgrove: Regional art: Transpennine geography remembered and exhibited Tim Freytag / Heike Joens: Vision and the, culturalae in geography: a biographical interview with Denis Cosgrove The Klaus Tschira Foundations gGmbH u Photographic representations: Hettner-Lecture 2005 u List of participants."

Beyond Pippi Longstocking

Intermedial and International Approaches to Astrid Lindgren's Work

Author: Bettina Kümmerling-Meibauer,Astrid Surmatz

Publisher: Routledge

ISBN: 1136741933

Category: Literary Criticism

Page: 292

View: 8047

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Astrid Lindgren, author of the famed Pippi Longstocking novels, is perhaps one of the most significant children's authors of the last half of the twentieth century. In this collection contributors consider films, music, and picturebooks relating to Lindgren, in addition to the author's reception internationally. Touching on everything from the Astrid Lindgren theme park at Vimmerby, Sweden to the hidden folk songs in Lindgren's works to the use of nostalgia in film adaptations of Lindgren's novels, this collection offers an important international and intermedial portrait of Lindgren research today.

The Uses of Art in Public Space

Author: Julia Lossau,Quentin Stevens

Publisher: Routledge

ISBN: 1317631897

Category: Social Science

Page: 222

View: 1241

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This book links two fields of interest which are too seldom considered together: the production and critique of art in public space and social behaviour in the public realm. Whilst most writing about public art has focused on the aesthetic, cultural and political intentions and processes that shape its production, this edited collection examines a variety of public artworks from the perspective of their actual everyday use. Contributors are interested in the rich diversity of peoples’ engagements with public artworks across various spatial and temporal scales, encounters which do not limit themselves to the representational aspects of the art, and which are not necessarily as the artist, curator or sponsor intended. Case studies consider a broad range of public art, including commissioned and unofficial artworks, memorials, street art, street furniture, performance art, sound art and media installations.

What We Made

Conversations on Art and Social Cooperation

Author: Tom Finkelpearl

Publisher: Duke University Press

ISBN: 0822352893

Category: Art

Page: 388

View: 1779

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What We Made presents a series of fifteen conversations in which contemporary artists who create activist, participatory work discuss the cooperative process. Colleagues from fields including architecture, art history, urban planning, and new media join the conversations.

Performing Site-Specific Theatre

Politics, Place, Practice

Author: A. Birch,J. Tompkins

Publisher: Springer

ISBN: 1137283491

Category: Performing Arts

Page: 253

View: 4203

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This book investigates the expanding parameters for site-specific performance to account for the form's increasing popularity in the twenty-first century. Leading practitioners and theorists interrogate issues of performance and site to broaden our understanding of the role that place plays in performance and the ways that performance influences it

Curating Architecture and the City

Author: Sarah Chaplin,Alexandra Stara

Publisher: Routledge

ISBN: 1134009763

Category: Architecture

Page: 272

View: 7914

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Addressing the collection, representation and exhibition of architecture and the built environment, this book explores current practices, historical precedents, theoretical issues and future possibilities arising from the meeting of a curatorial ‘subject’ and an architectural ‘object’. Striking a balance between theoretical investigations and case studies, the chapters cover a broad methodological as well as thematic range. Examining the influential role of architectural exhibitions, the contributors also look at curatorship as an emerging attitude towards the investigation and interpretation of the city. International in scope, this collection investigates curation, architecture and the city across the world, opening up new possibilities for exploring the urban fabric.

Narratives of Art Practice and Mental Wellbeing

Reparation and connection

Author: Olivia Sagan

Publisher: Routledge

ISBN: 1136740155

Category: Psychology

Page: 198

View: 9248

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Narratives of Art Practice and Mental Wellbeing draws on extensive research carried out with mental health service users who are also practicing artists. Using narrative data gained through hours of reflective conversation, it explores not whether art can contribute to positive wellbeing and improved mental health - as this is now established ground - but rather how art works, and the role art making can play in people’s lives as they encounter crises, relapse, recovery or ‘beyonding’. The book maps the delicate ways in which finding a means to tell our story sometimes is the creative project we seek, and offers a reminder of how intrinsically linked our life trajectories are with creative opportunities. It describes the wide range of artistic activity occurring in health and community settings and the meanings of these practices to people with histories of mental turbulence. Drawing on psychoanalytic theory, the book explore the stories and various forms of visual arts practices spoken of, and considers the art making processes, the creative moments and the objects which in some cases have changed people’s lives. The seven chapters of the book offer a blend of personal testimony, theory, debate, critique and celebration, and examine key topics of deliberation within the fields of art therapy, arts in health, community arts practice, participatory arts, and widening participation within arts education. It will be valuable reading for researchers, students, artists and practitioners in these fields.

Applying Performance

Live Art, Socially Engaged Theatre and Affective Practice

Author: N. Shaughnessy

Publisher: Springer

ISBN: 1137033649

Category: Performing Arts

Page: 288

View: 6652

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This book draws upon cognitive and affect theory to examine applications of contemporary performance practices in educational, social and community contexts. The writing is situated in the spaces between making and performance, exploring the processes of creating work defined variously as collaborative, participatory and socially engaged.

Mobilités culturelles - Cultural Mobilities

Author: Pascal Gin,Walter Moser

Publisher: University of Ottawa Press

ISBN: 2760319830

Category: Social Science

Page: 360

View: 7407

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La mobilité – la capacité à se déplacer ou à être déplacé – est un élément si omniprésent dans la vie moderne qu’elle est tenue pour acquise, presque imperceptible en raison de sa constante présence. Dans Mobilités culturelles – Cultural Mobilities, des chercheurs du Canada et du Brésil, écrivant en anglais et en français, s’interrogent sur l’impact et l’influence qu’a la mobilité sur les dynamiques culturelles au sein de leurs deux pays et entre eux. Explorant le mouvement – des gens, des idées et des créations culturelles – et les processus qui affectent ce mouvement, ils apportent de nouvelles perspectives sur la manière dont la mobilité structure les conditions culturelles contemporaines. Intrinsèquement interdisciplinaire, le volume s’appuie sur des contributions provenant entre autres des domaines de la géographie urbaine, des arts visuels, du cinéma, de la littérature, de la danse et du journalisme, soulignant la mobilité comme un domaine important de la recherche universitaire. Aussi intrinsèquement interculturel, il utilise une approche comparative Sud–Nord qui révèle les points communs et les différences entre les contextes canadien et brésilien. Mobilités culturelles – Cultural Mobilities propose une méthode pour l’étude de la mobilité en tant que force culturelle dans la société contemporaine. Mobility – the ability to move or be moved – is such a ubiquitous element of modern life that it is taken for granted, almost unnoticeable because of its constant presence. In Mobilités culturelles – Cultural Mobilities, scholars from Canada and Brazil, writing in both English and French, consider the impact and influence of mobility on cultural dynamics within and between their countries. Exploring movement – of people, ideas and cultural creations – and the processes that affect this movement, they provide new insights into how mobility shapes contemporary cultural conditions. Intrinsically interdisciplinary, the volume includes contributions from the fields of urban geography, visual arts, film, literature, dance and journalism, among others, highlighting mobility as an important area of scholarly enquiry. Also intrinsically intercultural, it employs a South–North comparative approach that reveals the intersections and differences between the Canadian and Brazilian contexts. Mobilités culturelles – Cultural Mobilities charts a path for the study of mobility as a cultural force in contemporary society.

Art goes public

von der Gruppenausstellung im Freien zum Projekt im nicht-institutionellen Raum

Author: Claudia Büttner

Publisher: S. Schreiber

ISBN: 9783889600417

Category: Art, Modern

Page: 280

View: 9700

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Killing the Moonlight

Modernism in Venice

Author: Jennifer Scappettone

Publisher: Columbia University Press

ISBN: 0231537743

Category: Literary Criticism

Page: 472

View: 9156

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As a city that seems to float between Europe and Asia, removed by a lagoon from the tempos of terra firma, Venice has long seduced the Western imagination. Since the 1797 fall of the Venetian Republic, fantasies about the sinking city have engendered an elaborate series of romantic clichés, provoking conflicting responses: some modern artists and intellectuals embrace the resistance to modernity manifest in Venice's labyrinthine premodern form and temporality, whereas others aspire to modernize by "killing the moonlight" of Venice, in the Futurists' notorious phrase. Spanning the history of literature, art, and architecture—from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri, Italo Calvino, Jeanette Winterson, and Robert Coover—Killing the Moonlight tracks the pressures that modernity has placed on the legacy of romantic Venice, and the distinctive strains of aesthetic invention that resulted from the clash. In Venetian incarnations of modernism, the anachronistic urban fabric and vestigial sentiment that both the nation-state of Italy and the historical avant-garde would cast off become incompletely assimilated parts of the new. Killing the Moonlight brings Venice into the geography of modernity as a living city rather than a metaphor for death, and presents the archipelago as a crucible for those seeking to define and transgress the conceptual limits of modernism. In strategic detours from the capitals of modernity, the book redrafts the confines of modernist culture in both geographical and historical terms.

A Feast for the Eyes

Art, Performance, and the Late Medieval Banquet

Author: Christina Normore

Publisher: University of Chicago Press

ISBN: 022624234X

Category: History

Page: 272

View: 7272

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To read accounts of late medieval banquets is to enter a fantastical world where live lions guard nude statues, gilded stags burst into song, and musicians play from within pies. We can almost hear the clock sound from within a glass castle, taste the fire-breathing roast boar, and smell the rose water cascading in a miniature fountain. Such vivid works of art and performance required collaboration among artists in many fields, as well as the participation of the audience. A Feast for the Eyes is the first book-length study of the court banquets of northwestern Europe in the fourteenth and fifteenth centuries. Christina Normore draws on an array of artworks, archival documents, chroniclers’ accounts, and cookbooks to re-create these events and reassess the late medieval visual culture in which banquets were staged. Feast participants, she shows, developed sophisticated ways of appreciating artistic skill and attending to their own processes of perception, thereby forging a court culture that delighted in the exercise of fine aesthetic judgment. Challenging modern assumptions about the nature of artistic production and reception, A Feast for the Eyes yields fresh insight into the long history of multimedia work and the complex relationships between spectacle and spectators.

Theatres of Immanence

Deleuze and the Ethics of Performance

Author: Laura Cull Ó Maoilearca

Publisher: Springer

ISBN: 1137291915

Category: Performing Arts

Page: 291

View: 6067

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Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Deleuze's philosophy for theatre and performance. Drawing from Goat Island, Butoh, Artaud and Kaprow, as well from Deleuze, Bergson and Laruelle, the book conceives performance as a way of thinking immanence.

Malerei als écriture

Semiotische Zugänge zur Abstraktion

Author: Elize Bisanz

Publisher: Springer-Verlag

ISBN: 9783824445172

Category: Education

Page: 246

View: 7112

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Den Ausgangspunkt des Buches bildet die Cassirersche Definition des Menschen als ein symbolisches Wesen, das seine Welt durch Zeichen versteht und bestimmt. In dieser Hinsicht wird die Malerei als eine der altesten menschlichen Ausdrucksformen interpretiert, durch die der Mensch schreibend die Natur erforscht und sich seiner eigenen Natur bewusst wird: sie wird zur Zeichensetzung, in der das Schreiben dominiert. Die Komplexitat des bildnerischen Zeichencharakters entfaltet Elize Bisanz durch den Versuch, eine Parallele zwischen der Entwicklungsgeschichte der modernen Malerei - die Befreiung des bildnerischen Zeichens von seiner streng symbolischen Funktion hin zur Abstraktion - und der Etablierung der semiotischen Bildtheorien fur die Analyse von abstrakten asthetischen Zeichen zu ziehen. Die Autorin prasentiert beide Entwicklungen, sowohl die der Sprache des malerischen Zeichens wie auch die Entwicklung der Metasprache der asthetisch-semiotischen Analyse, als komplementare Grossen des asthetischen Feldes. Sie zeigt, dass beide Entwicklungsgeschichten eine Gemeinsamkeit aufweisen: die Hinwendung zur Sprache und zur Struktur der Malerei. Mit der Definition der Malerei als ecriture verbindet das Buch drei Pfeiler der modernen Asthetik: Cezannes Versprechen, die Wahrheit in der Malerei zu zeigen, Adornos Verankerung des Wahrheitsbegriffs in der dialektischen Beschaffenheit des asthetischen Werks und Derridas grammatologische Suche nach der Wahrheit der Malerei in der malerischen Sprache.

Christian Philipp Müller

Author: Christian Philipp Müller,Sabeth Buchmann,Philipp Kaiser,Kerstin Stakemeier,Jacqueline Uhlmann

Publisher: Hatje Cantz Pub

ISBN: N.A

Category: Art

Page: 223

View: 775

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Christian Philipp Müller ISBN 3-7757-1800-1 / 978-3-7757-1800-4 Hardcover, 8 x 10 in. / 200 pgs / 150 color. / U.S. $50.00 CDN $60.00 January / Art