Film Criticism in the Digital Age

Author: Mattias Frey,Cecilia Sayad

Publisher: Rutgers University Press

ISBN: 0813573645

Category: Performing Arts

Page: 284

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Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a “crisis of criticism” and mourned the “death of the critic.” Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,” urgent questions have emerged about the status and purpose of film criticism in the twenty-first century. In Film Criticism in the Digital Age, ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book’s contributors find many signs of the film critic’s declining clout, but they also locate surprising examples of how critics—whether moonlighting bloggers or salaried writers—have been able to intervene in current popular discourse about arts and culture. In addition to collecting a plethora of scholarly perspectives, Film Criticism in the Digital Age includes statements from key bloggers and print critics, like Armond White and Nick James. Neither an uncritical celebration of digital culture nor a jeremiad against it, this anthology offers a comprehensive look at the challenges and possibilities that the Internet brings to the evaluation, promotion, and explanation of artistic works.

Cinema in the Digital Age

Author: Nicholas Rombes

Publisher: Columbia University Press

ISBN: 0231851189

Category: Performing Arts

Page: 275

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Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes—blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera. With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)—both shot digitally—have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.

Cineaste on Film Criticism, Programming, and Preservation in the New Millennium

Author: Cynthia Lucia,Rahul Hamid

Publisher: University of Texas Press

ISBN: 1477313419

Category: Performing Arts

Page: 392

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Digital technology and the Internet have revolutionized film criticism, programming, and preservation in deeply paradoxical ways. The Internet allows almost everyone to participate in critical discourse, but many print publications and salaried positions for professional film critics have been eliminated. Digital technologies have broadened access to filmmaking capabilities, as well as making thousands of older films available on DVD and electronically. At the same time, however, fewer older films can be viewed in their original celluloid format, and newer, digitally produced films that have no "material" prototype are threatened by ever-changing servers that render them obsolete and inaccessible. Cineaste, one of the oldest and most influential publications focusing on film, has investigated these trends through a series of symposia with the top film critics, programmers, and preservationists in the United States and beyond. This volume compiles several of these symposia: "Film Criticism in America Today" (2000), "International Film Criticism Today" (2005), "Film Criticism in the Age of the Internet" (2008), "Film Criticism: The Next Generation" (2013), "The Art of Repertory Film Exhibition and Digital Age Challenges" (2010), and "Film Preservation in the Digital Age" (2011). It also includes interviews with the late, celebrated New Yorker film critic Pauline Kael and the critic John Bloom ("Joe Bob Briggs"), as well as interviews with the programmers/curators Peter von Bagh and Mark Cousins and with the film preservationist George Feltenstein. This authoritative collection of primary-source documents will be essential reading for scholars, students, and film enthusiasts.

Feeling Normal

Sexuality and Media Criticism in the Digital Age

Author: F. Hollis Griffin

Publisher: Indiana University Press

ISBN: 0253024595

Category: Social Science

Page: 206

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The explosion of cable networks, cinema distributors, and mobile media companies explicitly designed for sexual minorities in the contemporary moment has made media culture a major factor in what it feels like to be a queer person. F. Hollis Griffin demonstrates how cities offer a way of thinking about that phenomenon. By examining urban centers in tandem with advertiser-supported newspapers, New Queer Cinema and B-movies, queer-targeted television, and mobile apps, Griffin illustrates how new forms of LGBT media are less "new" than we often believe. He connects cities and LGBT media through the experiences they can make available to people, which Griffin articulates as feelings, emotions, and affects. He illuminates how the limitations of these experiences—while not universally accessible, nor necessarily empowering—are often the very reasons why people find them compelling and desirable.

American Film in the Digital Age

Author: Robert Sickels

Publisher: ABC-CLIO

ISBN: 0275998622

Category: Performing Arts

Page: 184

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This eclectic, yet comprehensive analytical overview of the cataclysmic changes in the American film industry since 1990 shows how they have collectively resulted in a new era—The Digital Age. * Includes contributed chapters by two esteemed film scholars, Yannis Tzioumakis and Anne H. Petersen * Presents photographs

Wag the Dog: A Study on Film and Reality in the Digital Age

Author: Eleftheria Thanouli

Publisher: Bloomsbury Publishing USA

ISBN: 1441198717

Category: Performing Arts

Page: 176

View: 1822

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Wag the Dog is a film that became a media event and a cultural icon because it inadvertently short-circuited the distance that is supposed to separate reality and fiction. The film's narration challenges the established boundaries between the fiction and nonfiction tradition, as Barry Levinson, the director, embeds his interest in documentary filmmaking and complicates the issue of narrative agency in the way he frames the story. The examination of the historical and social context in which it was produced, exhibited and received worldwide enables the author to illuminate a series of changes in the way a fiction film reflects and interacts with reality, urging us to reconsider some of our central and long-standing concepts or even paradigms in film theory. Eleftheria Thanouli provides new insights into a series of issues from both classical and contemporary film theory, like the conceptual and ontological stakes in the use of digital technology, the impact of mass media on public memory and the political role of cinema in a globalized and conglomerated world.

Experimental Cinema in the Digital Age

Author: Malcolm Le Grice

Publisher: British Film Institute

ISBN: 9780851708737

Category: Performing Arts

Page: 330

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A collection of Michael Le Grice's most notable essays, which shed light on the work of other artists and film-makers and documents a period, especially the 70s, when artists' film was at the centre of polemical debate about the nature of avant-garde and the future of radical or experimental film.

Film Criticism and Digital Cultures

Journalism, Social Media and the Democratization of Opinion

Author: Andrew McWhirter

Publisher: Bloomsbury Publishing

ISBN: 1786730391

Category: Performing Arts

Page: 272

View: 5581

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'The critic is dead.' 'Everyone's a critic.' These statements reflect some of the perceptions of film criticism in a time when an opinion can be published in seconds, yet reach an audience of millions. This book examines the reality of contemporary film criticism, by talking to leading practitioners in the UK and North America - such as Nick James, Mark Cousins, Jonathan Rosenbaum and Richard Porton - and by covering a broad spectrum of influential publications - including Sight & Sound, The Guardian, Cineaste, indieWIRE and Variety. Forming a major new contribution to an emerging field of study, these enquiries survey the impact of larger cultural, economic and technological processes facing society, media and journalism. Historical perspectives on criticism from ancient times and current debates in journalism and digital media are used to unravel questions, such as: what is the relationship between crisis and criticism? In what way does the web change the functions and habits of practitioners? What influences do film industries have on the critical act? And how engaged are practitioners with converged and creative film criticism such as the video essay?In the face of transformative digital idealism, empirical findings here redress the balance and argue the case for evolution rather than revolution taking place within film criticism.

Japanese Cinema in the Digital Age

Author: Mitsuyo Wada-Marciano

Publisher: University of Hawaii Press

ISBN: N.A

Category: Drama

Page: 178

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This book deliberates on the role of the transnational in bringing to the mainstream what were formerly marginal Japanese B movie genres.

The End of Cinema?

A Medium in Crisis in the Digital Age

Author: André Gaudreault,Philippe Marion

Publisher: Columbia University Press

ISBN: 023153938X

Category: Performing Arts

Page: 256

View: 4293

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Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.

American Documentary Filmmaking in the Digital Age

Depictions of War in Burns, Moore, and Morris

Author: Lucia Ricciardelli

Publisher: Routledge

ISBN: 1135036136

Category: Social Science

Page: 162

View: 1921

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American Documentary Filmmaking in the Digital Age examines the recent challenges to the conventions of realist documentary through the lens of war documentary films by Ken Burns, Michael Moore, and Errol Morris. During the twentieth century, the invention of new technologies of audiovisual representation such as cinema, television, video, and digital media have transformed the modes of historical narration and with it forced historians to assess the impact of new visual technologies on the construction of history. This book investigates the manner in which this contemporary Western "crisis" in historical narrative is produced by a larger epistemological shift in visual culture. Ricciardelli uses the theme of war as depicted in these directors’ films to focus her study and look at the model(s) of national identity that Burns, Morris, and Moore shape through their depictions of US military actions. She examines how postcolonial critiques of historicism and the advent of digitization have affected the narrative structure of documentary film and the shaping of historical consciousness through cinematic representation.

Spanish Fiction in the Digital Age

Generation X Remixed

Author: C. Henseler

Publisher: Springer

ISBN: 0230339387

Category: Social Science

Page: 264

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This book applies theoretical models that reflect the mediated, hybrid, and nomadic global scenes within which GenX artists and writers live, think, and work. Henseler touches upon critical insights in comparative media studies, cultural studies, and social theory, and uses sidebars to travel along multiple voices, facts, figures, and faces.

Creative Writing in the Digital Age

Theory, Practice, and Pedagogy

Author: Michael Dean Clark

Publisher: Bloomsbury Publishing

ISBN: 1472574095

Category: Language Arts & Disciplines

Page: 208

View: 2928

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Creative Writing in the Digital Age explores the vast array of opportunities that technology provides the Creative Writing teacher, ranging from effective online workshop models to methods that blur the boundaries of genre. From social media tools such as Twitter and Facebook to more advanced software like Inform 7, the book investigates the benefits and potential challenges these technologies present instructors in the classroom. Written with the everyday instructor in mind, the book includes practical classroom lessons that can be easily adapted to creative writing courses regardless of the instructor's technical expertise.

The end of celluloid

film futures in the digital age

Author: Matt Hanson

Publisher: Rotovision

ISBN: N.A

Category: Performing Arts

Page: 175

View: 7087

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The End of Celluloid explores the diverse and inspirational work of such filmmakers as: Lars Von Trier (Dancer in the Dark), Spike Jonze (Being John Malkovich), David Lynch (Mulholland Drive); as well as computer game creators, music video pioneers, acclaimed commercial directors such as Jonathan Glazer, and digital video artists. The End of Celluloid highlights how exciting and innovative talent and new techniques are infiltrating the mainstream, across platforms--film, advertising, pop promos, animation, web sites, digital TV, FMV (full-motion video in computer gaming). Unlike other books that look at these singular areas, The End of Celluloid joins the dots between these disciplines, offering visual cures and stimulation, with authoritative commentary, suggesting directions for the future and possible evolutionary paths.

Liquid Space

Science Fiction Film and Television in the Digital Age

Author: Sean Redmond

Publisher: I.B.Tauris

ISBN: 178672104X

Category: Performing Arts

Page: 224

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Science fiction is perhaps the most effective genre to explore the concerns of the present whilst reflecting on the possibilities of the future. But what precisely can it tell us about present and future by setting these two timeframes in the same critical space?

Supercinema

Film-Philosophy for the Digital Age

Author: William Brown

Publisher: Berghahn Books

ISBN: 0857459503

Category: Performing Arts

Page: 196

View: 6453

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Drawing on a variety of popular films, including Avatar, Enter the Void, Fight Club, The Matrix, Speed Racer, X-Men and War of the Worlds, Supercinema studies the ways in which digital special effects and editing techniques require a new theoretical framework in order to be properly understood. Here William Brown proposes that while analogue cinema often tried to hide the technological limitations of its creation through ingenious methods, digital cinema hides its technological omnipotence through the use of continued conventions more suited to analogue cinema, in a way that is analogous to that of Superman hiding his powers behind the persona of Clark Kent. Locating itself on the cusp of film theory, film-philosophy and cognitive approaches to cinema, Supercinema also looks at the relationship between the spectator and film that utilizes digital technology to maximum, 'supercinematic' effect.

Film verstehen

Kunst, Technik, Sprache, Geschichte und Theorie des Films und der Medien ; mit einer Einführung in Multimedia

Author: James Monaco

Publisher: N.A

ISBN: 9783499606571

Category: Film

Page: 699

View: 1900

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Process Cinema

Handmade Film in the Digital Age

Author: Scott MacKenzie,Janine Marchessault

Publisher: N.A

ISBN: 9780773556867

Category:

Page: 536

View: 7906

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Exploring new and experimental practices with celluloid film in the digital age.